no title of performance (2014)
“What is the value of Art? What is the value of Art? What is the value of the Performancing Arts? Artists need to be paid. The Performing Arts need to be paid. What is the value of Art? What is the value of Art? This is the last time that i make or give work and not get paid. This is the last time that i make or give work and not get paid. What is our value? What is our value? What is the value of Art? What is the value of the Performing Arts? Perfroming Artists need to be paid. The Perfroming Arts need to be paid. What is the value of Art? Wghabbk of thejjkhsdj. Ankjt needjkdjlkd. Performinhshjhbk needklf to belkjm paidmmd.”
the wall (2014)
An artistic reflextion suspended between self (social) action and performance installation. the wall initially conceived as site specific, floats in duration between notions of (re)presentation of the social sphere of and (re)presentation. The audience also led to deal with his own relation of how to engage, experience, when in self-performance and observer.
The interview in portuguese http://observador.pt/topico/the-attic/
credits: Vos Devos Veerle
Ministros Extraordinários da Cultura (2012)
When culture is represented by a secretary of state due to having lost its Ministery of Culture, concerned artists act out and simbolically keep the place of the ministery active.
Link video: https://vimeo.com/137775068
artist in appearance (2011)
Questioning modes of production and presentation.
The flight from a changing city, where rules of creative encounters where under severe change, in a personal note, heading towards a sterilization less spontaneous storming of ideas and actions. Where shall we play now to encounter the work?
Berlin, always changing, always changed. Currently ….. another.
Link video: https://vimeo.com/137607733
Woman on work (2011)
AADK | The State of Things, in a collaboration with Mica Moca created an event parallel (the off festival) to that of Tanz im August (Berlin’s anual dance festival) not be parasite but to use the dynamic present in the city relating to the dance world (the second in the story of AADK)
Within the afternoon program running at Mica Moca between shows Elsa Aleluia drove Vânia Rovisco from Wedding to Podevil and filmed Rovisco in what were the very last moments of a meeting, that had been going on for hours, to rebegin allowing Rovisco to speak of the work that AADK was had been instigating, as work methods promoted over the past years.
Link video: https://vimeo.com/137753853